The exact kit I roll into the photo pit — two Canon R5 Mark II bodies, the f/2.8 trinity plus a 100-500, and the Peak Design Roller Pro that carries it all through festival season.
Copy-paste Lightroom export settings for client galleries, editorial delivery, print and Instagram — resolution, sharpening, color space and file naming that survives real client use.
A step-by-step Lightroom workflow for concert photos — white balance under LED light, noise reduction at high ISO, fixing color casts and finishing files that clients accept.
Why LED stage light ruins skin tones, what's actually recoverable in Lightroom, and the exact panels that fix red, blue and magenta casts — from a working concert photographer.